I'm not very good at blogging, so that's why I have been erratic with my posts. I finished most of the background research and have begun sketching my ideas. Again, my concept is to create a poster series illustrating the evolution of major rock n' roll movements, incorporating the social and cultural influences they caused. Here are the movements I'm focusing on:
1. Foundations/origins of rock 'n roll: artists such as Jerry Lee Lewis, Chuck Berry, Elvis Presley, Buddy Holly, Eddie Cochran, etc. Era arrived during a time of technological change, rising out of post-WW2 economic frustration. The music broke racial and social boundaries and gave rise to an awakening in a teen subculture for the first time. I have sketches for this poster but my scanner is broken and I have to use the one at school. I will say this though: flaming piano is gonna happen.
2. British Invasion: Beatles, Rolling Stones, Yardbirds, Who, etc. Helped internationalize the production of rock music. White British artists revived a genre that was originally rooted in African-American culture. Influenced the blues and garage rock movements. In the 60s, CBS quoted, "This time, the British Invasion goes by code name Beatlemania." I've got some fun military-themed ideas for this poster.
3. Blues Rock and Psychedelic Rock: a lot of the artists from this movement were part of the British Invasion, and since I want to do 5 posters max, I may merge #3 with #2. However, there's a lot I can do with this poster, but I've been mainly focusing on #1 and #2 sketches so I don't have anything concrete.
4. Folk Rock: the polarization around heavy social issues in the mid 60s had a HUGE effect on the music industry - it intellectualized rock music. Protest songs about politics, war, and social injustice by artists like Bob Dylan, John Mellencamp, Neil Young, Joan Baezm etc used music as a rallying point with a new interest in subjects of more significance than straight-up romance. We're starting to get into the whole alienated generation thing now.
5. Punk Rock: my favorite. Fast, aggressive, anti-sentimental music that kicked sand in the face of the bombast of mainstream 70s rock. As stated above, I'm working chronologically through these posters so I haven't gotten to this guy yet.
6. Hard Rock/Heavy Metal: like #3, I think I might have to axe this one. It was a pretty big movement, and one that still is evolving today, but I don't think it had as much of a social impact as the other guys. Sorry Sabbath.
7. Heartland Rock: Bruce Springsteen, Tom Petty, John Mellencamp, etc. Another socially concerned movement, more working-class oriented, dealing mostly with issues of the midwest blue-collar worker - themes of unemployment, small-town decline, and bitter nostalgia, social disintegration and isolation. Also has a nice 50s rock n roll revivalism to it. This one's definitely got a lonely car on the open road feel to it, but who knows what'll it'll end up like.
I'm going to be focusing mainly on creating a narrative scene, including illustrations of some of the major artists, but also creating a scene that encompasses the major theme for each movement, with some allusions and references to icons/trends/memorabilia of the time. For example, poster #1 is going to showcase Jerry Lee Lewis, Chuck Berry, Buddy Holly, and Elvis. I'm trying to come up with the right setup for the crowd, but it's going to represent the multiracial audience rock n roll catered too, as well as the breakthrough in sexual expression and rebellion teenagers created at the time. And like I said, flaming piano's gotta happen. Sketches and first round lineart will be up next week, as well as some drafts of poster #2.
If you guys have any ideas for the other posters, feel free to let me know. Outside perspectives always help and I can't make it to any of the group thesis meetings!
Liz